You guys, I am so sorry. Not only is this post a day late, it's a day late for last week. That's not like me. I'm usually spot-on, at Afrah every Thursday, hammering this sucker out over baba ganouj and pita bread with a lemonade and an occasional cup of gelato. November's brought a host of interesting goings-on, from a stupid back injury to a--common cold. Weird to call anything common that's so darn rare, at least for me. I don't get colds. Oh, I get a sinus infection that warps into double pneumonia, or viral bronchitis that lands me in bed for a week, but a cold? Pshaw. Never happens. Except that, at the moment, I have a cold.
Last Thursday, Joan and I had tickets to a play called MacHomer. Think Macbeth as done by the Simpsons. Macbeth happens to be my favorite play. To see it done as a one-man show by a guy who can convincingly imitate about 20 Simpsons characters is, well, special. We saw it before, several years ago, but the sound quality at the theater was so bad that we missed three-quarters of the jokes. So when we saw it was coming back around--and playing at the Winspear, which is an opera house and which Does Not Have Bad Sound--we got all excited. Thursday night, however, we made the mistake of meeting at home for dinner before the show. Halfway through dinner, we started looking at each other, and finally I said, "This isn't going to happen, is it?" and Joan said, "You mind if we lose the ticket money?" I said, "Of course I mind, but not enough to pile into the car and go down there." Joan said, "I want to have gone, but I don't want to go." Which was pretty much how I felt. So we ended up watching something on the History Channel, and I fell asleep on the couch. I do that. This is how you know you're an old married couple; you start deteriorating at the same speed.
My stupid back is a lot better, no thanks to the Chiropractor We Send All Our Clients To. Actually, there was nothing wrong with the chiropractor; it was her staff that was the problem. The first time I went down there, I was in her office for 2 1/2 hours. Of that time, about 15 minutes amounted to actual treatment. The rest amounted to being shown into this room and that room and long periods of being left unattended for reasons that were never satisfactorily explained. That was my first visit. My second visit only took an hour and a half, but in that time, my treatment plan changed from three to four visits over two weeks to twenty-one visits over three to four months. One of the minions tried to take me back for an X-ray that the doctor had already told me I didn't need, and when I tried to make her life easier by saying, "Look, I'll just refuse it, okay?" she said, "You can't do that."
(Um, I assure you that I can.)
But the topper was when a different minion took me into a treatment room for this electric-stim therapy that's kind of like a TENS unit on acid, I guess. My stupid back injury was kind of below my waist and just above my butt, so to get at it they kind of had to take my pants partway off. This woman hooked me up to this electro-zapper thingy, with my pants partway off, and left me there, again for the requisite 45 minutes. With two big Mexican (male) laborers in the same room. No, I am not kidding. I finally peeled the electrodes off and wriggled myself off the table (not without several muscle spasms) so that I could for Godsake get dressed. I mean, the Mexican laborers were polite and all that, and didn't stare, but for crying out loud, people. That was a little ridiculous. I don't wanna send my clients there anymore. (Chiropractic Doctors Clinic on Belt Line. You're welcome.)
So thus endeth my third bad experience with chiropractic. There will not be a fourth. It's been about a month since I got hurt and I'm mostly back to normal, with a little residual stiffness. My massage therapist, the endlessly talented Kellum, has been filling in for the auspices of modern medicine. I think that did just as well as chiropractic would have done. Probably better, since Kellum doesn't leave me lying places with my pants off. Bless his heart.
Okay, so I couldn't swim for about three weeks. Swimming made my back worse (probably the cold water; I'd just tense right up) but walking made it better, so I did a lot of walking. Result: Legs and lower back got stronger, but lost lots of muscle tone in my arms and shoulders. I'm back in the pool now and I get sore, people. It's a little embarrassing to crawl out of the pool after an hour and be barely able to lift my frick'n swim bag. I start lifting weights again on Sunday. Seriously, this needs to be fixed.
We spent Thanksgiving with good friends Tammy and Tracy and some other friends at their place in Oak Cliff. Everybody brought something so it was a pretty eclectic mix of food. Joan made Texas caviar, which is kind of a bean salad thingy with onions and Italian dressing, and cranberry sauce. (Not together.) The sweet potatoes were first rate, the stuffing was great, there were two kinds of bread pudding (I had a sliver of each, mainly as an excuse to put spray whipped cream on them--I love spray whipped cream) and, oh yeah, a turkey. I gave a slice of breast meat some courtesy nibbles. I have never been fond of turkey. I know this makes me a Philistine, but I'll survive somehow. We spent the evening telling silly animal stories (since most of their friends are zookeepers!) and being harassed by their three cats and a visiting dog. It was a great way to spend a holiday.
So now we're in the middle of the North Texas Mensa Regional Gathering, where we hang with the smart people and learn cool stuff about computer vision and Civil War diaries and play card games until three in the morning and other strange things. The programming is great, but the hotel--People, this hotel needed to be torn down two years ago. It's like the Dallas Shining. The towels are frayed, the air conditioner covers are cracked, there are mirrors missing in the washrooms and they've been replaced with boards, there are ceiling stains--it's pathetic, really. The whole place speaks of serious neglect, bad management and we-didn't-bother-to-do-a-site-inspection-before-we-signed-the-contract. I'd be embarrassed to book anyone there. I'm almost embarrassed to walk in there. (Night Hotel Dallas at 635 just past Josey Lane. You're welcome.)
And my NaNo novel? Oh, let's not talk about that. Suffice to say it kind of crashed and burned on me 16,000 words in. But that's actually okay, because I got an idea to do something else, and it's going to be fun. (As Lawrence of Arabia) The trick is not to mind that it hurts.
So, anyway, that's where things stand. I'm about to crawl into bed, soon to leap back up and go flying out to the Dallas Shining for Day 3 of the RG. We'll see how long I last before the murdered twin girls pop out of the hallway walls and say they want me to stay and play with them forever and ever and ever. Cheers, all.
Namo amitabha Buddhaya, y'all.
This here's a religious establishment. Act respectable.
This here's a religious establishment. Act respectable.
Showing posts with label Lawrence of Arabia. Show all posts
Showing posts with label Lawrence of Arabia. Show all posts
Friday, November 23, 2012
Saturday, October 6, 2012
Talk Thursday (on Saturday): Talk Thursday?
Okay, I'll admit I skipped my meeting and my going-home-early-to-get-some-sleep idea and a bunch of other things so I could hang out in the desert with Lawrence (of Arabia) and Auda and Ali and the gang. But look, folks, opportunities to see the big man on the big screen are few and far between anymore, and Just Not To Be Missed. Larry has a special place in my life. It's my favorite movie ever, for one thing, unless Star Wars is my favorite movie ever, a thing about which I go back and forth a lot. (Actually, Lawrence is a lot like Star Wars. It's Star Wars in the desert. Camels instead of X-wings, that's the only difference.) For another thing, it's one of the few movies ever made that refuses to lionize its hero, shows both his good and bad sides and eventually ends (spoiler alert!) not in triumph but in catastrophe. And, yeah, it cleaned up on Academy Award nominations, and it's considered one of the best films ever made, and David Lean is a genius, and blah blah blah, but those are just other reasons to go see it. The main reason is Lawrence himself, as played by Peter O'Toole. He's both noble and psychotic, cheerful and unbelievably messed up, probably suffering from a pretty severe case of PTSD and at the same time believing he's a god. He's a psychologist's dream, or nightmare, or something, and yet when he's onscreen, it's very hard to look at anything else. Besides, he helped me write the synopsis for Mindbender, which is all the more remarkable when you consider that he died in 1935.
Thursday was the 50th anniversary of the film's release, and also the introduction of yet another new! Improved! version of the film. Unlike 1988, they didn't add any missing footage (and thank all the gods there are; the movie's pushing four hours as it is). What they did instead was take a digital picture of each and every frame of the original film footage, which, being 50 years old, is in pretty sorry shape. Then they took each digital picture and loaded it into something called 4k software, which I didn't follow very well, but if you're into digital photography, you probably know what that means. The technicians then went over the digital photos of every single frame of this thing (remember, pushing 4 hours) and removed things like cracks and splits, deepened the color where it had obviously faded or stained, corrected the lighting where it was too dark, and did other photography thingys until they had a finished product that was as close as they could come to what David Lean originally had in mind. The result: You can see every pore on Larry's face. You can count the hairs in the camels' noses. I don't mean to be flip, here, but it's unbelievably clear. Considering that half the movie is gorgeous shots of desert vistas, it sure is nice to be able to look at them and practically run your hand through the grains of sand. A Blu-Ray of all this is being released in November, and if it looks half as good on a TV as it does on the big screen, it'll be worth every cent you'll pay for it. Not owing a Blu-Ray player myself, and having a TV that's at least 20 years old, I can assure you that this is not a paid endorsement of any kind whatsoever.
Speaking of great undertakings that don't always end well, I'm not sure what's going on with Talk Thursday. It's been a month or so since I heard from anybody at the Topic-o-Meter, and the last time we assigned dates for the topic, it was just me and Cele (though Shinsige dropped in at the last minute). Since then, all quiet on the western front (and that's a different movie altogether). So I'm not sure if we've dropped off the face of the planet, or what, exactly. At the moment I'm forced to assume that we're at least on hiatus.
The point of Talk Thursday (and there is one! There is one!) was, or is, if I understand correctly, to encourage regular blogging. There was also the whole "oh yeah, and we're all going to blog about this thing in particular" but I think that was basically arbitrary, because the topic could be "The Sock Drawer" and you could end up with a column about sex toys. Certainly it encouraged me (especially the sex toys). So I'm kind of not sure what to do now. Except to keep blogging on Thursday, since that seems to be one of the best nights to grab a table at Afrah and snarf down pita bread before my meeting. (Anymore, you want to go to Afrah, the earlier the better; past about seven the place fills up so fast you'd think you were in downtown Amman on a Saturday night. Okay, I'll admit that wasn't the world's greatest metaphor.) Besides, blogging on Thursday means I have an excuse to haul my laptop somewhere, use somebody else's WiFi and look intellectual for a little while. The chicks go for ladies who look intellectual in Muslim restaurants. Er, or so I hear.
Thursday was the 50th anniversary of the film's release, and also the introduction of yet another new! Improved! version of the film. Unlike 1988, they didn't add any missing footage (and thank all the gods there are; the movie's pushing four hours as it is). What they did instead was take a digital picture of each and every frame of the original film footage, which, being 50 years old, is in pretty sorry shape. Then they took each digital picture and loaded it into something called 4k software, which I didn't follow very well, but if you're into digital photography, you probably know what that means. The technicians then went over the digital photos of every single frame of this thing (remember, pushing 4 hours) and removed things like cracks and splits, deepened the color where it had obviously faded or stained, corrected the lighting where it was too dark, and did other photography thingys until they had a finished product that was as close as they could come to what David Lean originally had in mind. The result: You can see every pore on Larry's face. You can count the hairs in the camels' noses. I don't mean to be flip, here, but it's unbelievably clear. Considering that half the movie is gorgeous shots of desert vistas, it sure is nice to be able to look at them and practically run your hand through the grains of sand. A Blu-Ray of all this is being released in November, and if it looks half as good on a TV as it does on the big screen, it'll be worth every cent you'll pay for it. Not owing a Blu-Ray player myself, and having a TV that's at least 20 years old, I can assure you that this is not a paid endorsement of any kind whatsoever.
Speaking of great undertakings that don't always end well, I'm not sure what's going on with Talk Thursday. It's been a month or so since I heard from anybody at the Topic-o-Meter, and the last time we assigned dates for the topic, it was just me and Cele (though Shinsige dropped in at the last minute). Since then, all quiet on the western front (and that's a different movie altogether). So I'm not sure if we've dropped off the face of the planet, or what, exactly. At the moment I'm forced to assume that we're at least on hiatus.
The point of Talk Thursday (and there is one! There is one!) was, or is, if I understand correctly, to encourage regular blogging. There was also the whole "oh yeah, and we're all going to blog about this thing in particular" but I think that was basically arbitrary, because the topic could be "The Sock Drawer" and you could end up with a column about sex toys. Certainly it encouraged me (especially the sex toys). So I'm kind of not sure what to do now. Except to keep blogging on Thursday, since that seems to be one of the best nights to grab a table at Afrah and snarf down pita bread before my meeting. (Anymore, you want to go to Afrah, the earlier the better; past about seven the place fills up so fast you'd think you were in downtown Amman on a Saturday night. Okay, I'll admit that wasn't the world's greatest metaphor.) Besides, blogging on Thursday means I have an excuse to haul my laptop somewhere, use somebody else's WiFi and look intellectual for a little while. The chicks go for ladies who look intellectual in Muslim restaurants. Er, or so I hear.
Labels:
Lawrence of Arabia,
Mindbender,
Muslims,
Talk Thursday,
writing
Saturday, April 26, 2008
Lawrence of Arabia
Playing in the background: Suzanne Ciani, "Neverland"
Meters swum today: 2200 (WOW!!)
So I was looking at yesterday's post and I thought, "Ya know, if I wrote a synopsis about something I'm not emotionally caught up with, ie, not the creator of, I might be able to figure out how, or at least come up with a template to follow." Star Wars wasn't really a good choice, so I decided to attempt my second favorite movie, Lawrence of Arabia. Here's what I came up with. Warning, serious major spoilers ahead.
The story begins with the state funeral of English Great War hero Colonel T.E. Lawrence, who recently died in a motorcycle accident. After the funeral, American journalist Jackson Bentley, who once knew the colonel, is asked by another reporter what he thought of the man and describes him in glowing terms. When the reporter leaves, Bentley says to his companion, "He was also the most shameless exhibitionist since Barnum and Bailey." Overhearing this, an English officer takes exception, saying, "It was my honor to shake his hand at Damascus." The officer admits he didn't actually know Lawrence, however, and Bentley says, "I wonder if anyone really did."
In a flashback, Lieutenant Lawrence appears as an indifferent and sometimes insubordinate soldier at an English post in Cairo. Partly to get rid of him, the post commander sends Lawrence to check on Prince Faisal's "Bedouin revolt" against the Turks in what is now Saudi Arabia. When Lawrence arrives in the desert, he befriends his guide, and gains the man’s respect by learning to ride a camel
and tossing out his army rations in favor of Bedouin food. They stop for water at a well owned by the Harith, a rival tribe, where the guide is shot and killed by Sherif Ali, a minor prince and leader of the Harith. Ali offers to take Lawrence to Prince Faisal but Lawrence, horrified and grief-stricken by the murder, tells Ali that "so long as the Arabs fight tribe against tribe they will continue to be a little people, a silly people, greedy, barbarous and cruel." He then sets out to find the prince by himself.
Lawrence manages to find Prince Faisal's camp before he dies of exposure. He is surprised and upset to also find Sherif Ali, sitting at the prince's right hand. Some other English officers are also traveling with Faisal. One is urging the Prince to attack the distant city of Aqaba, thereby seizing a critical Turkish port. The other thinks the Prince can't do this without returning to Yenbo to pick up English
reinforcements and artillery. The Prince is curious about Lawrence and asks him what he thinks. Lawrence tells the Prince that if he takes on English reinforcements, he will also put himself under English rule. The Prince asks if all Englishmen think that the Arabs are "a little people, a silly people, greedy, barbarous and cruel." Embarrassed, Lawrence says he believes that the Arabs are and should be a free people. During the night, Lawrence comes up with a plan to take a small force to Aqaba and attack on the landward side. This will avert the need for artillery by taking the Turks' seawall guns out of the picture.
Sherif Ali denounces Lawrence's plan as "madness" but when it becomes obvious Lawrence means to try it anyway, he takes some of his Harith men and goes with him. Two orphan boys, Daud and Tafas, are fascinated by Lawrence and demand that Lawrence hire them as his "servants." The trek across the great Nefud Desert, called the "Sun's Anvil" by the Bedouin, is long and arduous. One of Ali's men, Gassim, falls asleep and slides from his camel during the night. When the lone camel is found the following morning, Ali gives Gassim up for dead, saying he will die within hours once the sun comes up; "so it is written." Lawrence says that "nothing is written" and goes back to find Gassim. As the sun gets higher in the sky, Daud, Tafas and Ali wait on the edge of the Anvil, each certain that Lawrence will never return. Just before noon, he finally appears, exhausted and depleted
but, miraculously, with Gassim, who is near death. Lawrence refuses water from everyone except Sherif Ali, who tells him, "Truly, for some men, nothing is written."
The next morning Lawrence finds that the men have burned his English officer's uniform and replaced it with Bedouin robes. They also give him a new name, El Aurens. Another tribal leader, Auda Abu-Tayeh of the Howitat, joins Lawrence's attack on Aqaba after Lawrence tells him there is much gold in the city. The next night a fight breaks out between two of the tribesmen, and a Howitat man is killed. "This is the end of Aqaba," Ali tells Lawrence as the two tribes prepare to go to war. To
save the mission, Lawrence steps between the tribes and says that he will execute the killer himself "because I have no tribe, and no one will be offended." Lawrence then discovers to his horror that the killer he must execute is Gassim, the man he rescued from the desert. After killing Gassim Lawrence throws the gun away and sinks into a deep depression, refusing to speak for days.
The attack on Aqaba is a triumphant success. The city is looted and burned, but Auda is angry because no gold is found. Lawrence writes Auda a promissory note "signed, in His Majesty's absence, by me" and sets off across the Sinai Peninsula to inform the Cairo command of the victory. During the journey Tafas falls into quicksand and drowns. Grief-stricken, Lawrence continues on with Daud, but seems to be losing his grip on reality; he talks about seeing a "pillar of fire" even
though Daud tells him "It is only dust, Aurens."
Back in Cairo, Lawrence realizes he no longer fits in with the culture of the British officers and their condescending attitude toward non-Englishmen in general and Arabs in particular. He tells his commander that he killed two men, and "there was something about it I didn't like. I enjoyed it." The new commander, General Allenby, sends Lawrence back to Arabia with instructions to disrupt Turkish railways and supply lines. During this mission Lawrence meets journalist Jack Bentley, who tells him that the Americans need "inspiration" to join the war effort. Bentley follows Lawrence on his exploits, painting Lawrence as a mythical hero, "Lawrence of Arabia." Lawrence, while obviously reveling in the attention, starts to believe his own myth; he tells Ali "They can only kill me with a golden bullet" and "I am invisible."
Lawrence's ideas of his own godhood are shattered when he is captured near the town of Derra and tortured by the Turkish commander. He escapes, but the experience makes him even more unstable and he announces to Ali that he's going back to Cairo. "I am just any man, and I'm going to ask for a job that any man can do."
In Cairo, however, the war in North Africa is winding down and the political situation is very different. Britain is concentrating on the war in Europe and France is now expressing an interest in the Arab territories. Lawrence learns about a secret pact to divide Arabia between France and England as soon as the city of Damascus is retaken from the Turks. Infuriated, Lawrence returns to Arabia again, this time to lead the Arab tribes to Damascus first and ensure their liberty.
The campaign is a military success but devastating for Lawrence personally. Daud is wounded in an explosives accident and cannot ride. “Salute Tafas for me,” says Lawrence, and kills Daud rather than leave him for the Turks. Later a retreating Turkish army crosses Lawrence's path, and Lawrence orders an attack instead of going around them. Lawrence goes on a rampage during this battle, killing men with their hands held up in surrender and finally collapsing next to a wagon, a knife in his hand and blood all over his clothes. Jackson Bentley finds him here and takes the famous picture of a world-weary Lawrence that causes a sensation in
the West.
The Arab army reaches Damascus several days before the British, but tribal infighting makes it impossible for them to hold the city. After days of trying to hold the feuding tribes together, Lawrence visits the military hospital where he finds thousands of wounded and dying Turkish soldiers without water, food or medicine. With no choice but to call in the Army doctors, Lawrence watches the British take over Damascus. Most of the Bedouin drift away from the city. Ali stays "to learn politics" and says of Lawrence, "If I fear him who love him, how must he fear him, who hates himself?"
Back in Cairo, Prince Faisal enters into delicate negotiations with the French and the British. Although the cause of Arab independence is lost, Lawrence can see that Faisal will be able to secure favorable terms for the Bedouin; "Someday," he says to Lawrence, "I must be a king." General Allenby promotes Lawrence to Colonel and gives him an honorable discharge. A jeep takes him to a ship bound for England. Rather than look forward to the ship, Lawrence turns around as they pass a tribe of Bedouin and looks after them. He has lived in two worlds, but he doesn't have a home in either one.
Pretty melodramatic, right? But it's readable. So let me give Mindbender another shot. I'm not procrastinating. Honest.
Meters swum today: 2200 (WOW!!)
So I was looking at yesterday's post and I thought, "Ya know, if I wrote a synopsis about something I'm not emotionally caught up with, ie, not the creator of, I might be able to figure out how, or at least come up with a template to follow." Star Wars wasn't really a good choice, so I decided to attempt my second favorite movie, Lawrence of Arabia. Here's what I came up with. Warning, serious major spoilers ahead.
The story begins with the state funeral of English Great War hero Colonel T.E. Lawrence, who recently died in a motorcycle accident. After the funeral, American journalist Jackson Bentley, who once knew the colonel, is asked by another reporter what he thought of the man and describes him in glowing terms. When the reporter leaves, Bentley says to his companion, "He was also the most shameless exhibitionist since Barnum and Bailey." Overhearing this, an English officer takes exception, saying, "It was my honor to shake his hand at Damascus." The officer admits he didn't actually know Lawrence, however, and Bentley says, "I wonder if anyone really did."
In a flashback, Lieutenant Lawrence appears as an indifferent and sometimes insubordinate soldier at an English post in Cairo. Partly to get rid of him, the post commander sends Lawrence to check on Prince Faisal's "Bedouin revolt" against the Turks in what is now Saudi Arabia. When Lawrence arrives in the desert, he befriends his guide, and gains the man’s respect by learning to ride a camel
and tossing out his army rations in favor of Bedouin food. They stop for water at a well owned by the Harith, a rival tribe, where the guide is shot and killed by Sherif Ali, a minor prince and leader of the Harith. Ali offers to take Lawrence to Prince Faisal but Lawrence, horrified and grief-stricken by the murder, tells Ali that "so long as the Arabs fight tribe against tribe they will continue to be a little people, a silly people, greedy, barbarous and cruel." He then sets out to find the prince by himself.
Lawrence manages to find Prince Faisal's camp before he dies of exposure. He is surprised and upset to also find Sherif Ali, sitting at the prince's right hand. Some other English officers are also traveling with Faisal. One is urging the Prince to attack the distant city of Aqaba, thereby seizing a critical Turkish port. The other thinks the Prince can't do this without returning to Yenbo to pick up English
reinforcements and artillery. The Prince is curious about Lawrence and asks him what he thinks. Lawrence tells the Prince that if he takes on English reinforcements, he will also put himself under English rule. The Prince asks if all Englishmen think that the Arabs are "a little people, a silly people, greedy, barbarous and cruel." Embarrassed, Lawrence says he believes that the Arabs are and should be a free people. During the night, Lawrence comes up with a plan to take a small force to Aqaba and attack on the landward side. This will avert the need for artillery by taking the Turks' seawall guns out of the picture.
Sherif Ali denounces Lawrence's plan as "madness" but when it becomes obvious Lawrence means to try it anyway, he takes some of his Harith men and goes with him. Two orphan boys, Daud and Tafas, are fascinated by Lawrence and demand that Lawrence hire them as his "servants." The trek across the great Nefud Desert, called the "Sun's Anvil" by the Bedouin, is long and arduous. One of Ali's men, Gassim, falls asleep and slides from his camel during the night. When the lone camel is found the following morning, Ali gives Gassim up for dead, saying he will die within hours once the sun comes up; "so it is written." Lawrence says that "nothing is written" and goes back to find Gassim. As the sun gets higher in the sky, Daud, Tafas and Ali wait on the edge of the Anvil, each certain that Lawrence will never return. Just before noon, he finally appears, exhausted and depleted
but, miraculously, with Gassim, who is near death. Lawrence refuses water from everyone except Sherif Ali, who tells him, "Truly, for some men, nothing is written."
The next morning Lawrence finds that the men have burned his English officer's uniform and replaced it with Bedouin robes. They also give him a new name, El Aurens. Another tribal leader, Auda Abu-Tayeh of the Howitat, joins Lawrence's attack on Aqaba after Lawrence tells him there is much gold in the city. The next night a fight breaks out between two of the tribesmen, and a Howitat man is killed. "This is the end of Aqaba," Ali tells Lawrence as the two tribes prepare to go to war. To
save the mission, Lawrence steps between the tribes and says that he will execute the killer himself "because I have no tribe, and no one will be offended." Lawrence then discovers to his horror that the killer he must execute is Gassim, the man he rescued from the desert. After killing Gassim Lawrence throws the gun away and sinks into a deep depression, refusing to speak for days.
The attack on Aqaba is a triumphant success. The city is looted and burned, but Auda is angry because no gold is found. Lawrence writes Auda a promissory note "signed, in His Majesty's absence, by me" and sets off across the Sinai Peninsula to inform the Cairo command of the victory. During the journey Tafas falls into quicksand and drowns. Grief-stricken, Lawrence continues on with Daud, but seems to be losing his grip on reality; he talks about seeing a "pillar of fire" even
though Daud tells him "It is only dust, Aurens."
Back in Cairo, Lawrence realizes he no longer fits in with the culture of the British officers and their condescending attitude toward non-Englishmen in general and Arabs in particular. He tells his commander that he killed two men, and "there was something about it I didn't like. I enjoyed it." The new commander, General Allenby, sends Lawrence back to Arabia with instructions to disrupt Turkish railways and supply lines. During this mission Lawrence meets journalist Jack Bentley, who tells him that the Americans need "inspiration" to join the war effort. Bentley follows Lawrence on his exploits, painting Lawrence as a mythical hero, "Lawrence of Arabia." Lawrence, while obviously reveling in the attention, starts to believe his own myth; he tells Ali "They can only kill me with a golden bullet" and "I am invisible."
Lawrence's ideas of his own godhood are shattered when he is captured near the town of Derra and tortured by the Turkish commander. He escapes, but the experience makes him even more unstable and he announces to Ali that he's going back to Cairo. "I am just any man, and I'm going to ask for a job that any man can do."
In Cairo, however, the war in North Africa is winding down and the political situation is very different. Britain is concentrating on the war in Europe and France is now expressing an interest in the Arab territories. Lawrence learns about a secret pact to divide Arabia between France and England as soon as the city of Damascus is retaken from the Turks. Infuriated, Lawrence returns to Arabia again, this time to lead the Arab tribes to Damascus first and ensure their liberty.
The campaign is a military success but devastating for Lawrence personally. Daud is wounded in an explosives accident and cannot ride. “Salute Tafas for me,” says Lawrence, and kills Daud rather than leave him for the Turks. Later a retreating Turkish army crosses Lawrence's path, and Lawrence orders an attack instead of going around them. Lawrence goes on a rampage during this battle, killing men with their hands held up in surrender and finally collapsing next to a wagon, a knife in his hand and blood all over his clothes. Jackson Bentley finds him here and takes the famous picture of a world-weary Lawrence that causes a sensation in
the West.
The Arab army reaches Damascus several days before the British, but tribal infighting makes it impossible for them to hold the city. After days of trying to hold the feuding tribes together, Lawrence visits the military hospital where he finds thousands of wounded and dying Turkish soldiers without water, food or medicine. With no choice but to call in the Army doctors, Lawrence watches the British take over Damascus. Most of the Bedouin drift away from the city. Ali stays "to learn politics" and says of Lawrence, "If I fear him who love him, how must he fear him, who hates himself?"
Back in Cairo, Prince Faisal enters into delicate negotiations with the French and the British. Although the cause of Arab independence is lost, Lawrence can see that Faisal will be able to secure favorable terms for the Bedouin; "Someday," he says to Lawrence, "I must be a king." General Allenby promotes Lawrence to Colonel and gives him an honorable discharge. A jeep takes him to a ship bound for England. Rather than look forward to the ship, Lawrence turns around as they pass a tribe of Bedouin and looks after them. He has lived in two worlds, but he doesn't have a home in either one.
Pretty melodramatic, right? But it's readable. So let me give Mindbender another shot. I'm not procrastinating. Honest.
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