This is interesting. My boss's boss's son, who is all of seven years old going on thirty-five, wrote his own antivirus software today. You know, a product to rival McAfee or Norton or something. He said he did it because the pop-up windows in the antivirus software he already has frighten him. (Yeah, you're working away and minding your own business and suddenly there's a window open on your screen announcing with garish colors and a loud noise that, by God, your antivirus software is On The Job: That irritating little infostealer.jumcar has been rendered harmless and you, the nice person who shells out the $49.95 a year, can go on about your happy life.) So he wrote his own, with no pop-up windows. It just works away in the background, completely invisible unless you actually want to see what it's doing.
Did I mention he's seven? When I was seven I was still trying to master the fine art of laundry. I'd more or less figured out the washing machine, but darned if I could figure out how the clothes got out of the washtub and into the dryer. Fairies, maybe. Or elves. I was pretty big on elves. Goes with the Icelandic heritage.
Speaking of reliance upon imaginary beings, I may have mentioned at some point that I'm sort of an experimental proving ground for what seems, to me, like a rather large number of pharmaceuticals. Not all of them have side effects--well, I could say that I'm not experiencing all of the side effects--but one of them does and it's the one that bugs me the most. In a nutshell, it messes with my brain, or to use the lexicon, it slows down the cognition. Which means what? Well, that my short term memory sucks, basically. At work I'll flick from one monitor to the other (dual monitors at work -- very cool) and in the nanosecond between Monitor A and Monitor B I'll have forgotten what I'm looking for. Which means I have to go back to Monitor A and look at it until I remember what I was looking for on Monitor B, which looks like I'm sitting there staring at a monitor doing nothing. (Sometimes I move the mouse around to throw people off.) Occasionally I have to go back in time, step by step, to figure out what I was thinking about and why I need the information that's now pulled up on Monitor B. Like so: "Okay, I glanced down at the Post-It note on the monitor which reminded me I needed to compose a Rule 11 agreement in the Burns matter which means I haven't filed the amended petition yet because I have to do that at the same time and I need to get to that today and before that I was thinking that I really need to refill my water bottle which probably came up because the defendant in the case about the German shepherd was reaching for a water bottle when she lost control of her car and--yes! I was looking for the photos of the interior of the car that show the water bottle smashed against the dashboard and the odometer stuck at 45 mph!" And I go back to Monitor B, before I lose momentum.
And that happens basically ninety times an hour, every hour I'm awake. You can see how it might get slightly irritating.
The other problem is simple words. It doesn't happen when I'm typing, usually, but when I'm speaking I might tell you that the defendant just filed a motion for summary juniper, I mean judgment, summary judgment, yeah, one of those. Or I might say, the defendant just filed a motion for--and then stop as the words I need go flying past their exit ramp on the freeway, and stand there like a fool while whoever I'm talking to, which is practically always my boss or my boss's boss, looks at me like I've just grown nine heads.
So I've put up with it for a couple of years now, and it hasn't gotten any better, and it may in fact be getting slightly worse. Today I took the bold step of actually asking the prescribing physician what would happen if I were to taper off of the stuff. He said I'd see an immediate improvement in That Sort Of Thing, because it's dose-dependent and if you go down, even a little, there will be a reaction. However (there's always a however), I'd also see an immediate increase in moodiness and emotional volatility. So it becomes a balancing act. My mission: Find a dose that doesn't irritate to extremes with the missing words and the distracting thought patterns, yet doesn't have me flying up to the high highs and crashing down to the low lows, since I've already done that parade and I didn't care for it at all. Though, the high highs were fun. And being able to stay up and write until three in the morning and still go to work the next day was awesome beyond awesome. But it bothers my wife. Believe me, you can tug on Superman's cape and you can spit into the wind, but do not ever bother your wife. If they don't teach that in premarital counseling, well, by God, they should.
So I'm starting out by splitting one of the doses in half and taking a dose and a half every day, instead of two doses. If this doesn't send me spiraling down into the cellar, I might go down to a single dose a day in a couple of weeks and see how that goes. And unfortunately, that might be the end of it. I don't think I'm going to get completely off the stuff, which was what I was hoping. Because if I got off of that one, then I could get off the one that I'm taking to stop my hands from shaking, because that first one makes my hands shake, and if I got off both of those, it's remotely possible that I could maybe not take the little blue ones, or take them less often, and then I'd be taking half as much medication as I am now and that would be pretty cool. Less to keep track of, for one thing.
This disease sucks rocks sometimes. In case you were wondering.
Namo amitabha Buddhaya, y'all.
This here's a religious establishment. Act respectable.
This here's a religious establishment. Act respectable.
Showing posts with label Norse mythology. Show all posts
Showing posts with label Norse mythology. Show all posts
Thursday, June 6, 2013
Thursday, August 2, 2012
Talk Thursday: Failure to Launch
Well, this probably comes as a surprise to no one, but I'm taking a few days off from the swimming. I'm just plain tired. I'll probably be back in the pool tomorrow, though, because I'm starting to miss it. I think I have a minimum level of chlorine in my blood, and if it drops below that I start questioning the reason for my existence. Kind of like a fish out of water. No, more like a fish who's been kidnapped by (human) aliens, taken out of the water, tagged, photographed, measured, and then dropped back into the water as part of some big scientific project it knows nothing about. It will tell the other fish this story at the campfire later on (do fish make campfires?) and the other fish will say, "Tell us another one, Ralph" and "Did they give you the old anal probe?" before breaking up into crude fishy laughter and passing around another six-pack of Glorp Light. No one ever believes Ralph when these things happen.
Anyway: I'm having, shall we say, a colorful week. I've been covering cases for a colleague who was out on medical leave, and I just found out she's not coming back. Yikes, what am I going to do with these cases? I started a class, went to see an ortho. doc who pronounced my knee Not In Need Of Surgery, navigated the Chick-Fil-A boycott/celebration/onslaught and snuck out for frozen yogurt at least twice. And I stared into the abyss that is what I'm writing lately and determined that it is, indeed, an abyss. Or maybe a sinkhole. Anyway, there's a void, and nothing to fill it.
I need a project. I need a project like I need chlorine. Without a project, I'll be the next Ralph, drinking Glorp Light and wondering what in hell an anal probe is, anyway. Oh, I can write; watch this column come into existence every single week, whether I feel like it or not. I need something to write about, is the thing. The increasingly-inaccurately-named Mindbender trilogy (which has four volumes, and part of a fifth) is not going anywhere fast and I've yet to come up with anything to take its place in my head. Joan thinks I should be writing comedy, and I do have this thing going about statuary and public art all over Dallas suddenly coming to life and proving problematical for law enforcement. And it's okay--it's kind of fun, actually--but it's not, you know, Art.
Not that I have a clue what Art is (except this guy I knew in high school who always seemed kinda sleazy; years later I ran into him again, heard his side of the story and realized I had judged him too harshly, as nearly all of us do to other people when we are between the ages of thirteen and seventeen). I want to write suspense/thrillers. I wanna do sagas of intense complexity, with big secrets and car chases and gruesome murders and blood all over the place. I wanna do more rapid page-turns than Big Steve and more plot twists than Kameron Hurley. (And if you haven't read God's War and Infidel yet, get moving; Rapture comes out in November.) I want explosions and betrayals and fast-moving conversations that you have to follow or your life will be in danger. I just need, you know, some kind of, like, idea.
What do I have instead? Living statues. And some Norse gods. Pretty sure there were a few Norse gods in there somewhere.
In the literary world, we call that failure to launch.
So I'm taking a class. The class is based on The Artist's Way, a book by Julia Cameron. It's designed for writer's block, which I don't think I have, exactly; writer's anxiety comes a lot closer. Or maybe we could say writer's void. The thing is, it just looks like an abyss; in fact it's an underground mine fire, like in Centralia, Pennsylvania, and when a hole opens up to the surface it belches toxic gas, fumes and blasts of lethal heat. The book is supposed to help with this. Overcome writer's block, turn out prizewinning novels, stories, plays. So far it's been creepily about feelings, which, as a former Lutheran, I have none of. Just kidding. Well, kidding a little.
Anyway, I hope it helps. We just started Chapter Two, and since the mighty Law Dogs are sidelined tonight by extremely high temps and missing personnel, I might just go home and, uh, do my homework. You know. Like in high school.
Anyway: I'm having, shall we say, a colorful week. I've been covering cases for a colleague who was out on medical leave, and I just found out she's not coming back. Yikes, what am I going to do with these cases? I started a class, went to see an ortho. doc who pronounced my knee Not In Need Of Surgery, navigated the Chick-Fil-A boycott/celebration/onslaught and snuck out for frozen yogurt at least twice. And I stared into the abyss that is what I'm writing lately and determined that it is, indeed, an abyss. Or maybe a sinkhole. Anyway, there's a void, and nothing to fill it.
I need a project. I need a project like I need chlorine. Without a project, I'll be the next Ralph, drinking Glorp Light and wondering what in hell an anal probe is, anyway. Oh, I can write; watch this column come into existence every single week, whether I feel like it or not. I need something to write about, is the thing. The increasingly-inaccurately-named Mindbender trilogy (which has four volumes, and part of a fifth) is not going anywhere fast and I've yet to come up with anything to take its place in my head. Joan thinks I should be writing comedy, and I do have this thing going about statuary and public art all over Dallas suddenly coming to life and proving problematical for law enforcement. And it's okay--it's kind of fun, actually--but it's not, you know, Art.
Not that I have a clue what Art is (except this guy I knew in high school who always seemed kinda sleazy; years later I ran into him again, heard his side of the story and realized I had judged him too harshly, as nearly all of us do to other people when we are between the ages of thirteen and seventeen). I want to write suspense/thrillers. I wanna do sagas of intense complexity, with big secrets and car chases and gruesome murders and blood all over the place. I wanna do more rapid page-turns than Big Steve and more plot twists than Kameron Hurley. (And if you haven't read God's War and Infidel yet, get moving; Rapture comes out in November.) I want explosions and betrayals and fast-moving conversations that you have to follow or your life will be in danger. I just need, you know, some kind of, like, idea.
What do I have instead? Living statues. And some Norse gods. Pretty sure there were a few Norse gods in there somewhere.
In the literary world, we call that failure to launch.
So I'm taking a class. The class is based on The Artist's Way, a book by Julia Cameron. It's designed for writer's block, which I don't think I have, exactly; writer's anxiety comes a lot closer. Or maybe we could say writer's void. The thing is, it just looks like an abyss; in fact it's an underground mine fire, like in Centralia, Pennsylvania, and when a hole opens up to the surface it belches toxic gas, fumes and blasts of lethal heat. The book is supposed to help with this. Overcome writer's block, turn out prizewinning novels, stories, plays. So far it's been creepily about feelings, which, as a former Lutheran, I have none of. Just kidding. Well, kidding a little.
Anyway, I hope it helps. We just started Chapter Two, and since the mighty Law Dogs are sidelined tonight by extremely high temps and missing personnel, I might just go home and, uh, do my homework. You know. Like in high school.
Thursday, March 31, 2011
Talk Thursday: Weird Stuff I Dream About

So anyway, weird stuff I dream about. Well, by far the weirdest thing about my dreams is that there's always some part of my brain that just...doesn't...quite...buy it. Yes, that's right; not only am I reality-based, I'm aggressive about it. Ever have that dream where you're in college (it's usually college; sometimes it's high school) and you're trying to find some class that you somehow haven't been able to get to the whole semester? Well, when I have that one, I'll be frantically going through my stuff looking for my stupid schedule so I can at least find out when this class is, or hunting for the bookstore with the totally useless campus map in hopes of locating a textbook in which I'm now a minimum of three weeks behind, or wandering around in a building that I know has this class in it someplace, and this part of my brain will suddenly go, "Holdonasec. I'm almost positive that I'm fortysomething years old, married, a homeowner and hold down a responsible job." Sometimes I'll argue with this part of my brain, because in this dream I don't remember the intervening twenty-odd years between college and now, but more often something else happens; I wake up. And I blink, look around the room, and say to myself something along the lines of "Well, I guess that was right," before I fall asleep again and go back to the campus map and the useless schedule and the building with the M.C. Escher hallways.
It's a mental state called lucid dreaming, and in some religious traditions it's considered a blessed state. Basically, it means that you know you're dreaming while you're dreaming. I usually don't get quite that far, but I do get lucid enough to know that there's Something Wrong With This Picture. And I sometimes experience the side effects, like sleep paralysis (waking up unable to move; that is not fun, but it goes away quickly if you start small, like wiggling your fingers, instead of trying to, say, sit up or kick off the blankets). According to Joan, I'm sometimes prone to waking up yelling my head off, which must be a real treat for her and the cats. I can always tell I've done this if I'm awake and there are no cats in bed with me. I always sleep with a minimum of two cats, one sprawled across my hip and the other one by my feet. Apparently I also sometimes kick in my sleep. Sometimes a silent night is not very silent around our place.
By far the oddest permutation of this lucid-dreaming thing is the sex dream. You know the one. No, don't tell me about it; I'm not gonna tell you about mine, either. Let's just say that mine never end well. Just when things start to get interesting with the man/woman/fantasy creature, I suddenly remember I'm married and start apologizing. "I'm so sorry. I just can't be doing this. I have to go home now." And I get up and leave, even if I'm an ant and the landscape is some distant planet. I'm terrible with directions in my own known universe, but somehow I'm going to figure out where home is and go there, where I'm going to explain myself to Joan and apologize profusely. What more often happens is I wake up. Minus cats. Damn, it just happened again.
When I was about 26 I had a dream I'll never forget. (There were no men/women/fantasy creatures in this dream, nor were there colleges.) There was really nothing going on in this dream, except that I'd made my way into a forest, and in the middle of this forest was this tree. It was bigger than those giant redwoods in northern California (the top of it was invisible from the ground, as a matter of fact) and it looked like some member of the willow family, with drooping branches and long leaves. Hanging between the leaves on just about every branch that I could see were long fingerlength spires of crystal. When the wind blew, they all rubbed together and made this indescribable music, and of course when the light hit them, they were shot through with rainbows and the whole tree seemed to glow. Absolutely nothing happened in this dream, except that I woke up crying and extremely happy.
Being Icelandic and all that, I've wondered ever since if that was Ygdrasil, the Tree of Life. And if it was, what I was doing there. I'm not big on the whole gods and goddesses thing, but I could have been convinced that day. Even more so if it had, you know, said something. Like, "Jen, go forth and become a great paralegal." Or even, you know, "Hi."
But it didn't. It just stood there, being magnificent. And, realistically, I'm not sure the Tree of Life should really be doing much of anything else.
Labels:
domestic bliss,
meditation,
Norse mythology,
Talk Thursday
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